Showing posts with label Lippman. Show all posts
Showing posts with label Lippman. Show all posts

Wednesday, January 25, 2012

The Most Dangerous Thing, by Laura Lippman

Lippman takes "thrillers" in a different direction. I don't know if it's even fair to describe this book as a member of any genre, really.

A group of five young people find each other. There are two girls and three boys, the three boys all brothers and the two girls friends. They do a lot of exploring together, and one day happen upon a shack far from anywhere, and learn that an old black man lives there. They make his acquaintance and visit him from time to time. He lives on handouts and they manage to slip food from their homes to bring to him.

One day it all changes. One of the girls, Gwen, gets together with one of the brothers, Sean, and the group breaks apart. The two take to the shed from time to time to make out, when "Chicken George" - their name for the old black man - is not there. One evening the youngest boy, Gordon, is not home for supper on time and fathers head out to look for him. They come upon Gordon and Mickey (the other girl) running from the shack, and Chicken George lying on the ground. They tell the adults that George had molested Gordon and they knocked him down.

This much we learn fairly early on.

This much the group carries around with it, as do the fathers involved. We, the readers, know there is something more, but what it is we do not know. Gordon was always a fuck-up, from an early age. He becomes an alcoholic and ultimately kills himself, and this is when it really begins. But it's not really a rerun of "The Big Chill". Chapter by chapter we get to know the different friends a bit more and we get to know little bits more about their time together and apart. And in the end we do learn the secret. I won't tell.

 I had some trouble liking the characters, got a bit impatient at times, but kept reading and as the book started closing in it started to grab me. I had trouble putting it down and kept thinking about it when I was not reading it. It's really more an exploration of character than of a particular event. We can't trust Lippman to bring us out safely, which is one of the intriguing things about her.

Saturday, October 18, 2008

What the Dead Know, by Laura Lippman


It felt like cheating in a way to read this book for the notable book challenge. Although I read a lot I do find that "notable" books tend to take longer to read than the genre books I read just for pleasure. This book fit into both categories so it was like a special treat, a guilty pleasure.

Two young sisters, 11 and 15, disappear from the mall in Baltimore on Easter weekend 1975. After intense investigation the case goes cold. No leads. Thirty years later a woman has an accident near the home of the girls and from her hospital bed she confesses to being one of the sisters.

Enter detective Kevin Infante, social worker Kay Sullivan, eccentric lawyer Gloria Bustamante, and the girls' parents. Strangely, though, the woman does not come out and say where she has been all these years. In fact, she refuses to tell anyone the name she uses now.

The woman, who claims to be Heather Bethany, the younger sister, is not just uncooperative. She is cold, withdrawn, even manipulative. She uses the system, the lawyer, and especially the social worker, to avoid going to jail and to draw out her story. She dribbles it out bit by bit, none of it offering much hope of substantiation.

Her behavior and personality frustrate the investigators and make it difficult for the lawyer and social worker to help her. Her odd self-centeredness and refusal to reveal her present name make them all, to different degrees, suspicious. Is she really Heather? If so, why doesn't she tell all? If not, what does she hope to gain?

I was immediately taken by the circumstances and by this woman's unusual personality and story of her kidnapping. The lack of clear details made me want to scream at times. I was by turns a total believer and as suspicious as the detective. The personalities of the other characters are just as interesting, and I regret not being able to follow their lives further - perhaps in other novels?

I was disturbed by the type of police work that was done. I felt a more methodical approach at the very beginning would have unearthed more information than was found (information that was revealed later), and it seemed more could have been done to discover "Heather"'s identity by way of fingerprints, for example. My familiarity with police techniques from crime shows and murder mysteries has made me especially aware of the many leads that can logically be followed. It seems, though, that this novel is more psychological than crime.

An odd bit: throughout the book the word "police" is used as a term for an individual police officer or a synonym. For example, the detective introduces himself as "a police". I have never seen or heard this use of the word before. Is this something Baltimorean, perhaps?