Sunday, September 4, 2011
There is nothing straightforward about Pato's disappearance. No police station will claim him. Nobody will file a report on his disappearance. Neighbors look blank when Kaddish and Lillian ask if they saw what happened. It is as if Pato never existed. This because everyone knows that anyone who aids a family that has been somehow marked by the present regime will be marked themselves. People cannot afford to help, for by doing so they may lose their lives.
Lillian and Kaddish disagree on how to help their son. They try some things together and other things apart. Finally Kaddish comes to believe Pato is dead while Lillian believes it is against their religion to believe so until they have seen his body. This difference in belief tears them apart.
The story is written with wry humor in spite of the dark subject matter. The Ministry of Special Cases, for example, is a classic bureaucracy and is justly skewered. Kaddish is drawn with a warm sympathy for his failings.
A revealing portrait of Argentina's Dirty War from the inside.
It's a story that had to happen in Mississippi or a similar southern state.
Two boys, growing up in the 70s, one black, one white, become friends. But secret friends, because such a friendship was not acceptable then. The two meet under curious circumstances and ultimately find they are connected by more than geography.
Larry Ott, the white boy, is a quiet bookish boy who is thrilled when the neighbor girl asks if he wants to take her to a drive-in. The date does not go as planned and the next day the town is out looking for the girl. Suspicion centers on Larry because he was the last one to see her. For years he carries around this suspicion and his future is changed forever.
Meanwhile, a thoughtless comment by Larry pushes his friend Silas away. The two grow up and get on with their lives, separately. Until another incident pushes the two together and at least some of the mystery of years before is solved.
It's a beautifully-written story that goes back and forth from the past to the present, letting the tension build slowly and the characters develop. To me it feels very real and very sad.